內經圖變奏曲  231*70*5cm （單幅尺寸，共16幅） 紙，綾布，木板，3D列印  2005-2018

The Variation of the Inner-Scripture Acrylic on Chinese paper mounted on board, 3D printings 231 x70 x 5cm x 16pc.   2005-2018

自我將 ”內經圖“ 視為精神性的師承對象後，學習不再止於圖像理解，而轉向身體與意識的內在對應。它成為無形的老師，我以意念將圖式投射於自身，透過內視與呼吸調息，使氣息沿小周天循行，在身體內部展開靜默的感知實踐；道家內丹的呼吸法亦於此逐步顯影，知識轉化為經驗與覺察。起初以再現為方法，然單純複製已難回應創作慾望，遂自左側首尊開始變奏，將線條由描寫轉為運動，使形體連綿起伏，如氣脈牽引、雲氣聚散。其後節奏加速，先潑墨釋放動勢，再追索殘形，在可控與失控間尋找張力；既破圖像之形，亦破觀看之心，使創作成為身心同步的解構與重構。

彭弘智

After I began to regard the “the Inner-Scripture” as a form of spiritual apprenticeship, learning shifted from visual comprehension toward an embodied and conscious correspondence. It became an invisible teacher. By projecting the diagram onto my own body through intention, and engaging in inner observation and regulated breathing, I guided the circulation of qi along the microcosmic orbit, initiating a quiet, internal practice of perception. Through this process, Daoist inner-alchemy breathing gradually revealed itself, and knowledge transformed into lived experience and awareness.

At first, representation served as my method; yet mere replication could no longer sustain my creative drive. Beginning with the first figure on the left, I introduced variations, turning lines from description into movement, allowing forms to undulate through space like meridians in motion or drifting clouds. As the rhythm accelerated, I released gestures through splashed ink before tracing residual forms, negotiating tension between control and contingency. In breaking the image, I also broke the gaze, so that creation became a simultaneous deconstruction and reconstruction of body and mind.

Hung-Chih Peng

攝影: 彭弘智 photo: Hung-Chih Peng